Ternion IV

artwork specifications

  • Full Title Ternion IV
  • Date Completed 3 July 2019
  • Dimensions 123,5 x 100cm
  • Medium Oil on canvas
  • Ground Gesso primed canvas
  • Ground Support 5cm deep wooden stretcher with wedges
  • Framing Unframed
  • Authentication Signed (XTN) bottom center
  • Authentication date Not dated
  • Series Nexus
  • Sub-Series Not applicable
  • Copyright Owner Corné Eksteen Artist
  • Publications None
  • Model Undisclosed

availability

  • Availability Sold
  • Current Location Private Collection | Australia
  • Agent Eye4Art Gallery
  • Prints Not Available
Full view of Corné Eksteen's Artwork: Ternion IV

artists' statement

Nexus (Origin: Latin, meaning: "a binding together")

In contemporary culture the term "Nexus" is often used as a suggestion to indicate links or associations between groups, objects or abstract concepts. It is also used to indicate a central point between these often, opposing objects or ideas. The visualisation of this central point of intersection, where a balance, a focal point or in its most rudimental form: symmetry is reached forms the visual basis for this body of work.

The concept of symmetry is deeply engrained in the human psyche, from our physical form where it dictates who we find attractive and beautiful, through to how we design our spaces, clothing and cultural artefacts. This universal understanding of symmetry is used as a means to explore identity and create emotional "landscapes."

Through the creation of double and multiple portraits of sitters occupying a singular space - an added layer of symmetry is utilised to evoke an amplified emotional connection with or response to the image. This visual tactic mimics methods used in the Rorschach test, a psychological test in which subjects' perceptions of inkblots are recorded and then analysed using psychological interpretation, complex algorithms, or both. Psychologists use this test to examine a person's personality characteristics and emotional functioning.

Collectively these works explore links between the sitter, the artist and finally the viewer in search of the nexus of their combined experience.

exhibtion history

  • None
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